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盗走班克斯/誰偷了班克西？(台)
- 马可·普罗塞皮奥
- 意大利
- 0集
- 2018
- 93分钟
- 7.4
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看看盗走班克斯剧情介绍
In 2007 Banksy goes to Palestine to paint on walls. Someone takes offense at a piece depicting an Israeli soldier checking a donkey's ID. A local taxi driver decides to cut it off and sell it back to the West. This is the story of the Palestinian perspective and reaction to street art through the work of its most celebrated hero. The story of an illegal black market of art stolen from streets around the world, cultures clashing in the face of an unsustainable political situation and finally of the changing perception on street art. It is not one story, but many. Like Banksy's art would be meaningless without its context, so the absence of it would be meaningless without an understanding of the elements that brought his artwork from Bethlehem to a Western auction house, along with the wall it was painted on.
游客2020-09-13
#IDF2019#1.当艺术作品被剥离原有语境与背景是否具有与之前同等的意义（Banksy的作品从巴勒斯坦到英国商场）2.在Bethlehem立起的高墙也许可以被认为是“柏林墙”的当代翻版
游客2020-09-13
In 2007 Banksy goes to Palestine to paint on walls. Someone takes offense at a piece depicting an Israeli soldier checking a donkey's ID. A local taxi driver decides to cut it off and sell it back to the West. This is the story of the Palestinian perspective and reaction to street art through the work of its most celebrated hero. The story of an illegal black market of art stol...
游客2020-09-13
是谁在巴勒斯坦的墙上喷了拆字/ 圣保罗国际电影节
游客2020-09-13
#IDF#第四部，还行，足够唤起人对于社会景观的反思（其实是冲海报看的这部）。QA环节解读后豁然开朗一些，班克斯是代表一种符号，不带翻译的阿拉伯RAP是不服从状态语境，还提出了对转移涂鸦后艺术形式产生变化是否是对艺术本身的侵犯这一问题。
游客2020-09-13
我怎么觉得是非常美式的纪录片，有主持的辩论，借Banksy的线索探讨了政治、艺术、法律哲学、历史等范畴，容量太大了，总是讲着讲着就跑题，借时间线强行拉回来，最后用巴勒斯坦人民的苦难与信念升华一下就完事了。片子的节奏还是靠动感音乐在调动，几首幕间的阿语hip-hop算是最大的亮点了。提及的问题至少有：巴以隔阂/讽刺涂鸦的实际作用/街头艺术算不算艺术，它们的所有权归属/街头艺术该不该保护，保护的经费和...